Sunday, December 31, 2006
Fierro - Zilbermintz
C41 Philidor Counter Gambit
Martha Fierro (WGM) - Lev Zilbermintz
1.e4 e5 2.Nf3 d6 3.d4 f5 4.dxe5 fxe4 5.Ng5 d5 6.e6 Nh6 7.c4 Bb4+ 8.Nc3 d4 9.Qh5+ g6 10.Qxh6 dxc3 11.Qg7 c2+ 12.Ke2 Qd3#.
Saturday, December 30, 2006
Damiano's Defense
The reason why I am giving the reader this background information is to put in better perspective my decision to avoid playing the standard knight sacrifice against Damiano's Defense. I felt certain that Black would decline the piece sac as Chigorin recommended, leading to a position where Black is slightly inferior but material is even. This is not the kind of game that I wanted to play in the final round of a tournament, especially against an opponent with more practical experience in this variation than I have. Imagine my surprise when, after the game, Sam said he was prepared to accept the knight sac, relying on some new analysis!
The reader can find this game by going to Yahoo Search and entering Damiano's Defense Declined, although I am unsure if Sam is correct in naming the opening as such. It seems to me that, if anything, Chigorin's line declining the piece sacrifice should bear that title. In any event, here are the moves to a mistake-filled game that ended unexpectedly with a problem-like move.
White: Jim West (2206) Black:Sam Sloan (1931)
1.e4 e5 2.Nf3 f6 3.Nc3
As stated above, I assumed that 3.Nxe5 would be answered by 3...Qe7 which led to a draw in Fischer-McGregor, Houston simul 1964 after 4.Nf3 d5 5.d3 dxe4 6.dxe4 Qxe4+ 7.Be2 Bf5 8.Nd4 Nc6 9.Nxf5 Qxf5 10.O-O Bd6 11.Bg4 Qb5 12.Nc3 Qc4 13.Be2 Qf7 14.Bb5 O-O-O 15.Qg4+ f5 16.Qh3 Nge7 17.Ne4 h6 18.Nxd6+ Rxd6 19.Bf4 Rd4 20.Be3 Rb4 21.Bxc6 Nxc6 22.b3 Re4 23.Rfd1 Rd8 24.Rxd8+ Nxd8 25.Rd1 Qe6 26.g3 Rxe3, drawn on account of 27.fxe3 Qxe3+ 28.Kf1 Qf3+ with perpetual check.
I wonder what new analysis Sam intended to follow after 3.Nxe5 fxe5 4.Qh5+ which Fritz8 gives as winning by force after 4...Ke7 5.Qxe5+ Kf7 6.Bc4+ d5 7.Bxd5+ Kg6 8.h4 h5 9.Bxb7! For example, 9...Bd6 10.Qa5 Bxb7 11.Qf5+ Kh6 12.d4+ is curtains.
Apparently Sam is unaware of this refutation because judging by his comments on the Internet he does not own Fritz8.
3...Bc5 4.Bc4 Ne7 5.d3 c6 6.a4 d5 7.Bb3 Bg4 8.h3 Bh5 9.Qe2 Qd6 10.a5 Nd7 11.Na4 Bb4+ 12.Bd2 b5 13.axb6 axb6 14.g4 Bg6 15.c3 Ba5 16.exd5
Black misses 16...b5 17.dxc6 Qxc6 winning the knight for insufficient compensation.
17.Bc2 b5 18.Nc5 Qxc5 19.b4 Qc7 20.O-O O-O 21.bxa5 Rxa5 22.Rxa5 Qxa5 23.c4 Qc7 24.Bb4 Re8 25.cxb5 Qb6 26.Bxe7 Rxe7 27.Rb1 Nc5 28.Nh4 Be8 29.d4 Ne6 30.Nf5 Rb7 31.dxe5 Bxb5 32.Qd2 Qc5 33.exf6 gxf6 34.Bd3 Ng5
35.Qe3
Instead one of the contributors at Sam's website gives the following supposedly winning variation for White, courtesy of Fritz8: 35.Qa5 Nxh3+ 36.Kh2 Qc7+ 37.Qxc7 Rxc7 38.Rxb5 Nxf2 39.Rxd5, but 39...Nxg5+ 40.Kg3 Ne5 looks like a difficult ending to win for White.
35...d4
If Black wanted to draw, he should have played 35...Qxe3 36.fxe3 Bc6.
36.Qg3
After the game, Sam said I missed a win with 36.Rxb5 but 36...Qxb5! wins the exchange for Black.
36...Bc6 37.Rxb7 Nf3+
Believe it or not, this move loses. Black had to interpolate 37...Qc1+ 38.Bf1 and only now 38...Nf3+ 39.Qxf3 Bxf3 40.Rb8+ Kf7 41.Nxd4 when White's rook and knight and pawn can probably draw against Black's queen.
38.Qxf3 Bxf3
Now, after 39.Rb8+ Kf7, the move 40.Nxd4 is not a viable option with Black's queen guarding the d4 pawn. But White has a winning move, right out of a chess composition. Can you see it?
39.Bc4+!!
And here my opponent resigned because of the following variations:
a) 39...Qxc4 40.Rb8+ Kf7 41.Nd6+ followed by 42.Nxc5;
b) 39...Bd5 40.Bxd5+ Qxd5 41.Ne7+ followed by 42.Nxd5;
c) 39...Kf8 (or 39...Kh8) 40.Rb8+ forcing mate.
A fantastic finish to a flawed game!
{This article originally appeared in the April-June 2006 issue of Atlantic Chess News}
Friday, December 29, 2006
Book Prize
Vladimir Nabokov has been credited with writing the best novel concerning the game of chess. Originally published in Russian using a penname under the title Zashchita Luzhina (or The Luzhin Defense), it is better known by the title of its English translation The Defense. Although it was first brought out in book form in 1930, The Defense had to wait until 1965 for an English-language edition, as the author himself relates to us in the foreword to this attractive novel.
The protagonist of The Defense is one Aleksandr Ivanovich Luzhin, born in Russia around the turn of the century but who lives in Berlin from age fourteen until his untimely death some eighteen years later, largely in exile because of the October Revolution of 1917 which has taken place during his absence. Early in the novel, while Luzhin is still a schoolboy in Russia, there are forebodings of the disaster which is to overtake Luzhin later in life with the seeming inevitability of an announced checkmate. His father, a writer of boys' adventure stories, remarks: "Being born in this world is hardly to be borne." The young Luzhin is introduced to the chessboard when he encounters one in the attic of his house, after having fled from the rest of his family at a railway station.
Luzhin's behavior as a schoolboy in his early teens can only be described as unsociable, preferring to sit alone on a woodpile each day in the schoolyard rather than participate in sports. His future genius as a chess prodigy, on the other hand, is intimated by his fascination with Jules Verne, Sherlock Holmes, and jigsaw puzzles. One day while hiding in his father's study he eavesdrops on a violinist - speaking on the telephone to some unknown party at the other end of the line - who describes chess as the game of the gods. This encourages young Luzhin to play hookey from school and visit his aunt's house, where the elderly woman teaches him the rules of chess. Soon Luzhin, who has never shown an aptitude for anything else, is defeating not only his aunt but his father, doctor, and geography teacher as well. Then, at age fourteen, having been recognized as a genuine prodigy, he quits school. Shortly thereafter, he becomes ill; and in order to help him recuperate Luzhin's father accompanies him to a resort on the Adriatic. As luck would have it, a chess tournament is about to begin, Luzhin enters it, and he finishes in third place. He never turns his back on chess again - not for the deaths of first his mother and then his father - until eighteen years later, now a grandmaster, he suffers a second illness: a nervous breakdown.
It happens just after adjournment in a difficult position against Turati (whose name and playing style remind one of Reti) with whom he is tied for first place, late in a strong tournament in Berlin. By this point, Luzhin has engaged to be married. He spends some time in a sanatorium. Then, symbolically, he closes the lid on his chesspieces - and his chess career, as well - for what he deludes himself into thinking is marital bliss. The theme of exile re-emerges: first, exile from Russia; now, self-imposed exile from chess.
Little by little, chess images begin creeping back into his life. At the movies with his wife one evening, he is disturbed by the sight of a chessboard with a fantastic position on it in the background of the screen. When he, by chance, meets an ex-classmate from school at a ball and the chum remarks upon Luzhin's chessplaying, Luzhin begins to replay the moves of his life from the time of the nervous breakdown onward. He begins to see a repetition of theme in the game of life, leading him inexorably to the chessboard and tragedy. He starts to construct a defense against this attack, just as earlier he spent days constructing a defense to Turati's favorite opening. When his former chess trainer, now movie director, Valentinov invites Luzhin to his movie studio named Veritas (or Truth) to have Luzhin play the role of a chess grandmaster along with Turati in an upcoming movie, Luzhin suddenly hits upon the correct defense to this irresistible attack by the forces of life. He must play an unexpected surprise move!
So, sadly, the novel ends with what Nabokov referred to in his foreword as a sui-mate: Luzhin falling to his death from a window ledge where he has crawled. Hauntingly, as Luzhin plunges to destruction, there is a scene of great symbolism: the reflection from a nearby window has divided the chasm of darkness below into dark and pale squares.
Perhaps the plot of The Defense is best summarized in this single sentence from the jacketflap: "The Defense is the tragic story of a man destroyed by his own genius and of the hopeless efforts of the wife who loves him to save him from himself." Although the novel ends on a tragic note, it is not all gloom and doom. There are beautiful lyrical passages describing the game of chess. Here, for example, is how Nabokov portrays Luzhin's state of mind during a game of blindfold chess: "He saw then neither the Knight's carved mane nor the glossy heads of the Pawns - but he felt quite clearly that this or that imaginary square was occupied by a definite, concentrated force, so that he envisioned the movement of a piece as a discharge, a shock, a stroke of lightning - and the whole chess field quivered with tension, and over this tension he was sovereign, here gathering in and there releasing electric power."
*{This book review originally appeared in Atlantic Chess News in 1986}
Thursday, December 28, 2006
Fischer on TV and Radio
As well as seeing video highlights of the games that were taped on closed-circuit television, I learned that it was Lenin who coined the expression: "chess is gymnastics of the mind." It was surprising to hear Spassky say, "My years as champion were the unhappiest years of my life because I felt a huge responsibility." In Spassky's opinion, he lost the match when Fischer told referee Lothar Schmidt, "Shut up," in the ping-pong room before game three. Spassky then proceeded to play the game "like a rabbit caught in the gaze of a boa constrictor."
The most amusing moment occurs when Paul Marshall and Robert Byrne tell the story of how grandmaster William Lombardy removed the distributor wiring from Fischer's car after game one to prevent Fischer from going to the airport.
After the match, Fischer told an interviewer, "The Russians are the ones that started all this, and they are the ones who have been using chess as a propaganda weapon and using every, you know, trick to keep the title and all that...Probably they wish they never even started to play chess." Gudmundur Thorarinsson describes how the new world champion Fischer looked out his hotel window and said, "The only thing I can do is to play chess, but I do that rather well."
In mid-October 2006 on Icelandic radio, Bobby Fischer gave a 43-minute interview during which he discussed the following topics that can be broken down into three categories: money, politics, and chess.
Regarding money, Union Bank of Switzerland liquidated Fischer’s savings account of precious metals including gold coins and sent the proceeds to his bank in Iceland, but Fischer lost "several hundreds of thousands of dollars in Swiss francs" from the sale that was done without his permission. Fischer had deposited at UBS the $3.5 million that he won from his match with Spassky in 1992. But this pales by comparison with what Fischer calls "the biggest robbery in the history of the United States" perpetrated by the Bekins Moving and Storage Company in Pasadena which allegedly stole "hundreds of millions of dollars, even billions of dollars" of Fischer’s cash and papers that it took Fischer thirty years to accumulate.
In regard to politics, Fischer describes his 2004 imprisonment in Ushiku Detention Center as being "kidnapped in Japan for nine months, dragged near a leaking nuclear power plant" where there was radioactive air, land, and water from a "massive nuclear accident in 1999" about sixty kilometers away. A few days before the interview, Fischer saw the movie The Road to Guantanamo and found similarities between the "outright torture" of prisoners at Guantanamo and the way in which he was treated by his prison guards in Japan. In Fischer’s opinion, the United States is an "imperialist" country that was founded by "extremists" who gave "blankets that were infected with smallpox" to the American Indians to kill them off. On the international front, Fischer thinks that the Chinese and the Russians are backstabbing the North Koreans, and apparently China is "really serious about bringing down the regime" in North Korea.
Finally, regarding chess, Fischer reads from Vladimir Pozner’s 1990 book Parting with Illusions which mentions that Mark Taimanov was stripped of his title "grandmaster of the USSR" by the Soviet Chess Federation for losing his 1971 candidates match to Fischer by the "implausible score of 6-0." In the same book, a comparison is made between Fischer the chess player and Gorbachev the politician because both men made moves that were not understood until it was too late. Fischer considers Capablanca to be the greatest chess player of the 20th century in terms of "natural ability", but because there is so much memorization in chess "some kid of 14 today" could get a favorable position out of the opening against Capablanca. Fischer is "not a big fan" of Alekhine and much prefers the playing styles of Capablanca and Morphy. When Fischer played at the Manhattan Chess Club in the 1950’s, the "oldtimers" always spoke of Capablanca "with awe."
Fischer is "having a really nice time" leading "a quiet, low-key life" in Iceland where everyone is friendly, but he plans to travel abroad eventually and is waiting until "the right moment."
- {This article originally appeared in the July-September 2006 issue of Atlantic Chess News}
Wednesday, December 27, 2006
Bobby Fischer and ... Bobby Thomson?
I wonder how that interview might have gone. Perhaps Prager would have asked Fischer if he could hear the roar from the crowd at Ebbets Field when he was a kid growing up in Brooklyn.
According to Prager, the Giants stole the opponents' signs from late July 1951 through the end of the season, aided by an electrician who ran a wire from the clubhouse in center field to the bullpen where a buzzer sounded to indicate what pitch was to be thrown. Supposedly one of the Giants coaches used a telescope in the clubhouse to spy the catcher's hand signals.
If all this has a familiar ring, it sounds like Topalov's accusation that Kramnik aided by a cable in the ceiling of his bathroom received assistance from a computer in winning this year's world championship chess match in Elista. Hopefully we won't have to wait half-a-century to find out what really happened.